Clear Channel and CMT have formed an unholy alliance signed a deal to “create central country-music programming to be distributed across 125 Clear Channel country stations, as well as television and digital platforms, such as Clear Channel’s iHeartRadio.” An interesting factoid from the Wall Street Journal article on this deal: “Country fans have become particularly […]
Lucinda Williams Scheduled for Reissue; George Strait Adds Guests to Final Concert; BeauSoleil to Appear on Treme
Nelson Larkin, a songwriter, producer, and music publisher, passed away on Monday at the age of 70. Lucinda Williams’ self-titled, 1988 Rough Trade album will be reissued on January 14; the two-disc set will include remastered original recordings and a number of bonus tracks. There’s a new PledgeMusic campaign where contributors will be able to […]
Jason Eady Releases New Single; Hunter Berry to Record Live Album; Folk Music Could Help Track Human Migration
Kris Kristofferson says his memory has been “going” for the past few years. Jewly Hight interviewed K.T. Oslin for CMT Edge. This is cool: research suggests that the history of human migration may be traced by studying a population’s folk music in addition to examining DNA and linguistic evidence. From LiveScience.com: By comparing elements of […]
John Prine: It Took Me Years to Get These Souvenirs will open at the Country Music Hall of Fame and Museum on November 15. The spotlight exhibit is scheduled to run through May 2014. Kristin Sanders (niece of songwriter Mark D. Sanders) in The Guardian: The Watermelon Queen, Bobbie Joe Gentry, Liza Jane, Fancy: these […]
St. Paul & The Broken Bones to Release Full-Length Debut in February; CMHOF to Salute Mac Gayden; Dolly Covers Bon Jovi
Garth Brooks’ final Vegas show will be broadcast on CBS November 29; Grady Smith of Entertainment Weekly wonders if Brooks is plotting a country music comeback. Dolly Parton on her next release, Blue Smoke: “This tends to have more of the bluegrass-country flavor,” the 67-year-old singer-songwriter-actress said. “We used all the bluegrass instruments. One of […]
Stream There Will be Nights When I’m Lonely, the new album from one-man band Possessed by Paul James, at Saving Country Music. Mandy Barnett will release I Can’t Stop Loving You: The Songs of Don Gibson, through Cracker Barrel on November 11. Tracks include “Sweet Dreams,” “Oh, Lonesome Me,” and “I Can’t Stop Loving You.” […]
At the height of the alternative country scare in the mid- to late- nineties, Iris DeMent became one the most revered singers claimed by the field—although you would most likely find her CDs for sale in the folk bins (they had bins in those days), and since she regularly stunned audiences live and on […]
St. Louis band The Bottle Rockets have been making killer Americana music for the past twenty years. On August 16, their eleventh album, Not So Loud, is being released on Bloodshot Records. As the title suggests, it’s an acoustic album, recorded in April 2007 at St. Louis’ Lucas School House. If you’re not a fan […]
- Ken Morton, Jr.: The inferiority complex of the CMA never ceases to amaze me.
- Barry Mazor: Thanks for explaining that to me, Luckyol.
- luckyoldsun: Barry, I think you're taking it a bit too seriously. CMT has to keep coming up with new lists to make. …
- Barry Mazor: Thi is a world in which the "top 40 most influential country artists of all time" do not include, for …
- luckyoldsun: I just noticed that Garth and King George are still to come. So unless I'm missing something else, the remaining seven …
- Leeann Ward: I hate it when people pronounce the days of the week with a "dy" ending instead of "day." It's like …
- luckyoldsun: Looking at that bizarre CMT Artists' list with Johnny Cash coming in at #8, it raises the question--Who are the …
- Leeann Ward: I'd have to agree with LOS here. The song was fair game to be released. It's no surprised that it …
- luckyoldsun: "'Brotherly Love,' IS a Keith Whitley song. Trying to take advantage of the impact sales, and the tragedy of Keith’s …
- Leeann Ward: Yes, we know that it's technically a Keith Whitley song, as Juli noted above.