Born down in the low-country near the Mississippi River, country singer Jason Eady grew up on the soulful musical combination of gospel, soul, and blues. He headed to Nashville where a signed and failed record contract left him somewhat disillusioned with the direction country music was going. A move to Texas, with its unique and […]
If you want to start a heated discussion among a bunch of devoted country music fans or music makers, no matter what stripe, style, or era of country music they call their own, bring up the question of today’s mainstream country radio. You’re certain to hear some railing from somebody about a longstanding set of […]
After achieving regional success in Texas and Oklahoma, alt-country band No Justice makes a go at national notoriety with an intensity that manifests itself throughout 2nd Avenue, its first play for mainstream success on Dallas-based Carved Records. That fire is apparent across the album’s sonic variety, underlined by lead singer Steve Rice’s talent for bending […]
Red Dirt musician Jason Boland sets his “watch back” for a live cover of classic country tune “Tulsa Time.” Boland’s performance pays homage to recently-inducted Country Music Hall of Fame member Don Williams’ 1978 original, while simultaneously pumping up the tune with renewed vigor and a Red Dirt vibe. “Tulsa Time” will be the lead […]
Imagine a concert where you don’t hear an electric guitar solo until about an hour into the performance, but fiddles and steel guitars abound in almost every song. Imagine the cover songs are from Gram Parsons, Don Williams and Merle Haggard. Imagine the lead singer is singing about drinking, love and loneliness, all done from […]
I haven’t watched the CMA awards in years. Sometimes I’ve had a gig, but most of the time, there wasn’t anything there to interest me. I would flip channels and land on the awards show, but wouldn’t stay long. In the 80s, I didn’t miss a show. All my favorite artists were on. Country had […]
Having a major label record deal has never guaranteed success for an aspiring artist, but by and large in the past, having a major record deal served as a pre-requisite for success, after all, recording costs were prohibitively expensive and the majors had a lock on the retail distribution channels. We know now that it’s […]
When someone starts talking about IPOs and investing my eyes gloss over, but if you have some money to blow, I mean invest, then country music is apparently a hot commodity. And by “some money,” I mean a minimum of $500,000. Country singer/songwriters are the single hottest investment property you can find in 2008. A […]
Nothing Like Last Of The Breed Will Ever Come Along Again And New Book Names Top 100 Country Fan Clubs
I can’t read enough about Last of the Breed. It’s to the point where I don’t remember the last time I was this excited about one thing. My intense excitement is mostly due to something Chet Flippo mentions in his review of the Last of the Breed album, “nothing like this is ever going to […]
- Ken Morton, Jr.: The inferiority complex of the CMA never ceases to amaze me.
- Barry Mazor: Thanks for explaining that to me, Luckyol.
- luckyoldsun: Barry, I think you're taking it a bit too seriously. CMT has to keep coming up with new lists to make. …
- Barry Mazor: Thi is a world in which the "top 40 most influential country artists of all time" do not include, for …
- luckyoldsun: I just noticed that Garth and King George are still to come. So unless I'm missing something else, the remaining seven …
- Leeann Ward: I hate it when people pronounce the days of the week with a "dy" ending instead of "day." It's like …
- luckyoldsun: Looking at that bizarre CMT Artists' list with Johnny Cash coming in at #8, it raises the question--Who are the …
- Leeann Ward: I'd have to agree with LOS here. The song was fair game to be released. It's no surprised that it …
- luckyoldsun: "'Brotherly Love,' IS a Keith Whitley song. Trying to take advantage of the impact sales, and the tragedy of Keith’s …
- Leeann Ward: Yes, we know that it's technically a Keith Whitley song, as Juli noted above.