Stagecoach 2010: Chatting with Ray Price
At the Palomino Tent I was given a few minutes to talk with Ray Price just before his set. Technically, I was not supposed to be back stage, so reaching him took a bit of fast talking, but when I did, Ray was in good spirits and ready to go.
Robert Black: It doesn’t seem like you need to play out as much as you do these days and yet you still keep quite a busy touring schedule. Is that for your fans?
Ray Price: Well yes, that’s it exactly and as long as people keep coming out to my shows and as long as I’m still enjoying playing I’m going to keep doing it.
RB: What do you think of artists that started rediscovering your Honky-Tonk records in the 80’s and 90’s and cite you as an important influence, I’m referring to guys like Dwight Yoakam, Dale Watson and Chuck Mead?
RP: I think it’s wonderful, to feel like you’ve contributed to inspiring people to play good music. I only wish that more of them today would get back to playing more of the traditional country and not so much of the rock. There are plenty of good rock bands out there already, let ‘em have it and we can keep country sounding country.
RB: You’ll get no argument from me there. Who do you like that is making music today.
RP: I’ve always liked George Strait, he does pretty traditional music.
RB: One thing that always surprises me is how many great guys came out of your band over the years; Johnny Bush, Willie Nelson, Darrell McCall…
RP: Yep, Paycheck, Roger Miller…
RB: Are you just good at picking talent?
RP: I think I am. I think I’m good at choosing talented guys. I look for someone who has something different, a special ability that not everyone has and then I just put ‘em in the band.
RB: Out of all the great players you’ve worked with, who was your favorite to work with and can you remember any shows that were special.
RP: Well, I did an album with Willie and Merle Haggard a couple of years ago called ‘Last Of The Breed’ and I really liked doing that record and I think the shows that came out of that, we toured together for a bit, I think those are among my favorite shows that we ever did.
RB: Any chance you’ll tour with those guys again?
RP: Oh, I think so, I certainly would like to.
RB: Y’all won a Grammy for that album and while it seemed unlikely that you would win, I thought it was terrific when you guys did win with one of the most traditional albums that came out in 2006.
RP: That was real nice and I thought it was a nice honor to win that for an album that we enjoyed making so much.
RB: You had Willie Nelson on bass with your backing band The Cherokee Cowboys. Willie seems like an unusual guy to have on bass, I don’t think he had played bass before joining up with your band.
RP: He hadn’t. I asked him if he could play bass and he said that yes he could. I think he went home and worked out all of the bass parts over the weekend and then showed up for the first gig ready to go.
RB: Before Last Of The Breed you did some gospel records that were very good. What interested you in making those recordings?
RP: Well, gospel is something I’ve always been interested in, always enjoyed singing and would like to do more of. I have two more gospel albums to put out once I get done with some of the other stuff I’ve got going on.
RB: In the late 70’s you helped raise money for a chapel at Mississippi State Penitentiary, what motivated you to do that?
RP: I just figured that, if you’re in prison it must be a pretty lonely place to be. I felt that anything I could do to help with that would be worth it.
RB: There but for the grace of God go I?
RP: Yes, that’s it, that’s exactly it.
RB: Last year I got a look at Dale Watson’s tour bus and he said it had been your old bus and pointed out some of the decorations that were done in a Native American motif from when you were touring as Ray Price and The Cherokee Cowboys.
RP: Yeah, how about that? Dale does have that bus but I’ve got another one now, a much newer one!
More Stagecoach Coverage
- Ken Morton, Jr.: The inferiority complex of the CMA never ceases to amaze me.
- Barry Mazor: Thanks for explaining that to me, Luckyol.
- luckyoldsun: Barry, I think you're taking it a bit too seriously. CMT has to keep coming up with new lists to make. …
- Barry Mazor: Thi is a world in which the "top 40 most influential country artists of all time" do not include, for …
- luckyoldsun: I just noticed that Garth and King George are still to come. So unless I'm missing something else, the remaining seven …
- Leeann Ward: I hate it when people pronounce the days of the week with a "dy" ending instead of "day." It's like …
- luckyoldsun: Looking at that bizarre CMT Artists' list with Johnny Cash coming in at #8, it raises the question--Who are the …
- Leeann Ward: I'd have to agree with LOS here. The song was fair game to be released. It's no surprised that it …
- luckyoldsun: "'Brotherly Love,' IS a Keith Whitley song. Trying to take advantage of the impact sales, and the tragedy of Keith’s …
- Leeann Ward: Yes, we know that it's technically a Keith Whitley song, as Juli noted above.