Forgotten Artists: The Osborne Brothers
Although they claim common ancestry (Ernest Tubb, Gene Autry and Bill Monroe were all hugely influenced by Jimmie Rodgers), it has been many years since country and bluegrass music split off in different directions. Up until the end of the 1950s you could hear bluegrass played by country radio stations, and artists such as Jimmie Skinner, the Willis Brothers, Lee Moore and Hylo Brown straddled the two genres. Artists such as Carl Smith, Porter Wagoner and the duo of George Jones & Melba Montgomery would record albums of bluegrass songs. By the end of the 1960s, however, bluegrass was nearly extinct on country radio. True, there were a few songs, usually associated with movies (“Foggy Mountain Breakdown,” “Dueling Banjos”) or television shows (“The Ballad of Jed Clampett”), which achieved some airplay, but those were few and far between.
Even today bluegrass is largely banished from country radio. Yes, various performers such as Keith Urban or Rascal Flatts will gratuitously drop a banjo or a mandolin into their songs, but their music isn’t bluegrass. Yes, artists such as Alison Krauss or Rhonda Vincent will occasionally grace a Nashville artist’s album as a duet partner for a song or two, but those songs aren’t bluegrass either.
The last bluegrass act to regularly get country radio airplay was the duo of banjo player Roland “Sonny” Osborne (born 10/29/37) and his mandolin-playing brother, Bobby Osborne (born 12/9/1931). Sonny and Bobby were both born in Hyden, Kentucky, but when Sonny was very young, the family moved near Dayton, Ohio where they had their first experiences as performers. As children, their father instilled a love for traditional music. Bobby picked up the electric guitar as a teenager and played in various local bands. A few years after his brother began playing the guitar, Sonny picked up the banjo. Both were greatly influenced by the likes of Ernest Tubb, Roy Acuff, Alton & Rabon Delmore and Bill Monroe.
Being six years older, Bobby was first out of the gate. Around 1948, he and friend/banjoist Larry Richardson joined the Lonesome Pine Fiddlers. This effectively changed the band from Delmore Brothers sound-alikes into a pioneering bluegrass band. They recorded a number of sides together including the original version of “Pain In My Heart.”
In 1950, 13 year old Sonny joined his brother in the Lonesome Pine Fiddlers. Following his tenure with the Lonesome Pine Fiddlers, Bobby joined the Stanley Brothers, singing high baritone above Carter’s lead and Ralph’s tenor. Unfortunately, before this trio was able to record, Bobby was drafted into the military in 1952.
About this time, Sonny took a job playing banjo for Bill Monroe, which lasted until Bobby’s two year tour with Uncle Sam was completed. During this time, Sonny recorded a number of singles for small record labels such as Kitty, Kentucky and Gateway.
In late 1953, Bobby & Sonny teamed up with Jimmy Martin and performed on a local Detroit radio station billed as “Jimmy Martin and The Osborne Brothers.” Bobby & Sonny lasted two years with the mercurial Martin, during which time they recorded a few singles for RCA. They left in 1956 to work with Charlie Bailey on the WWVA Big Jamoboree in Wheeling, West Virginia, where they would stay for four years. A few months later they joined forces with lead singer Harley “Red” Allen and formed their own band–thereafter becoming known as the Osborne Brothers.
Shortly after joining forces with Red Allen, The Osborne Brothers signed a deal with MGM records. Their fifth single for MGM, “Once More,” reached #13 in 1958. While no more singles charted nationally for MGM (many of their records were regional hits), the Osborne Brothers continued to record, refining their sound, which drifted away from the high nasal twang of Bill Monroe and most other bluegrass groups. Red Allen left the group after the first album, but Sonny & Bobby soldiered onward, with other outstanding vocalists such as Benny Birchfield helping complete the harmony trios. They would record three more albums for MGM before leaving for Decca in late 1963. Many of these albums included songs that would later become hits when re-recorded for Decca.
The Decca years found Sonny and Bobby engaging in much experimentation. Previously the band had experimented with trio vocal harmonies, with Bobby taking an impossibly high, over-the-top tenor that few could imitate. With Decca, the instrumental mix became fair game. They experimented slowly at first, using an electric bass, then added additional instruments such as steel guitar and piano, and Sonny’s own creation, the electric six-string banjo. The hybrid country bluegrass sound proved quite popular with fans and disc jockeys alike. They were soon booked on all of the major country package shows of the day. With their voices being featured on their own major label recordings and on others from Conway Twitty to Bill Monroe, their name became synonymous with harmony singing. From 1966 to 1976, the Osborne Brothers would chart 16 times. While none of these songs were huge national hits, the records sold well and were mostly huge hits in the Southeast and Mid-Atlantic areas. Several of their songs such as “Ruby (Are You Mad),” “Roll Muddy River,” “Son of A Sawmill Man” and “Rocky Top” became bluegrass standards, with the latter even being designated as an official Tennessee State song.
The Osborne Brothers were inducted as members of the Grand Ol Opry in 1964. They were voted as the CMA’s “Vocal Group of the Year” in 1971. Along the way, they became one of the first major bluegrass groups to appear extensively at bluegrass festivals.
By 1980, the chasm between the sound of bluegrass and modern country music had grown too deep for bluegrass to get any airplay on country radio. The eighteenth (and last) charted single for Sonny & Bobby was in early 1980. Ricky Skaggs would have considerable success on country radio during the years just ahead, but the records that charted well for Skaggs were far less grassy than the hybrids that the Osborne Brothers had been charting.
Following their departure from Decca/MCA in 1975, The Osborne Brothers signed with Country Music Heritage (CMH) records and gradually reverted to traditional bluegrass instrumentation and have stayed there ever since. The Osborne Brothers were inducted into the International Bluegrass Music’s Hall of Honor (the genre’s equivalent to the Country Music Hall of Fame) in 1994 and continued to perform until Sonny Osborne retired from performing in 2005 after a shoulder operation affected his ability to play the banjo. Bobby Osborne continues to perform to this day, with Rocky Top X-Press, the band he formed after Sonny’s retirement. At 78 years of age, Bobby has cut back on his touring.
The Osborne Brothers recorded four albums for MGM and 14 albums for Decca/MCA during the vinyl era. All of these records are worthwhile. If you found all 18 of the albums and played them chronologically you would hear a detailed history of the evolution of bluegrass music as the Osborne Brothers occasionally strayed into “newgrass” before the term was invented. The Decca/MCA albums are especially interesting as the Osborne Brothers covered many classic country songs as well as contemporary country material.
Unfortunately, almost none of the classic MGM and Decca/MCA material is available on CD, except for on two terrific (and quite expensive) boxed sets issued by Bear Family which contain all of the MGM and Decca/MCA material.
After 1975 the Osborne Brothers issued 10 albums for CMH (including two wonderful albums with Mac Wiseman). The CMH albums straddle the vinyl, cassette and CD eras, so you may find those albums in any or all of those formats.
Four albums were issued on Sugar Hill and five on Pinecastle. These were all issued on CD.
The Ernest Tubb Record Shop currently has available both of the Bear Family Box Sets at $99.98 each. If you are a diehard fan, it’s definitely worth the money to buy these, but for the casual fan, they’re overkill.
The only other CD available covering the Decca/MCA years is titled Country Bluegrass. It sells for $9.98 and has ten of their chart hits including “Rocky Top,” “Roll Muddy River” and “Ruby (Are You Mad).” It’s inadequate, but essential.
ET has eleven more titles available, all of which come from post-1975. They do have the terrific Essential Bluegrass Album (with Mac Wiseman) which was a double album with 24 songs.
ET also has available the five solo albums that Bobby Osborne has issued since Sonny’s retirement. I have several of them. They are good but something was definitely lost from the vocal blend when Sonny retired. Also, Bobby has lost some of his upper range over the years and when he performs some of the old Osborne Brothers classics, he has had to do them in lower keys.
- Leeann Ward: Thanks, NM. I like a good pop hook, to be honest. So, maybe I need to try it again.
- Barry Mazor: OK, Jim Z. That changes everything. I surrender.
- Jim Z: to call the Dirty River Boys an "Austin area band" is still incorrect. They are based in El Paso.
- nm: Leeann, you and I often have similar tastes in more-traditional country. And, to my ears, Sam Hunt's voice and lyrics …
- Barry Mazor: Matter of fact, as always--I did. The notes say the album was recorded & mixed by and at "The …
- Roger: Looking forward to picking up the Jamey Johnson Christmas EP - love all of those songs and can't wait for …
- Jim Z: that record was recorded in El Paso. (you could look it up) and other than appearing in Austin once in …
- Leeann Ward: Yes, I can always use more dobro in my life! Thanks for the Phil Leadbetter tip! I haven't been able to …
- Barry Mazor: OK, Jim. The record's more or less out of Austin. But I'm sure they're also good in El Paso...
- Jim Z: Dirty River Boys are from El Paso, Texas.