Back when I was researching and writing my book Meeting Jimmie Rodgers, at least one friend misheard what I was doing and thought I was dedicating years of work to Kenny Rogers. There were a lot of polite, puzzled “Is that so’s” and ‘How ’bout that’s.” These two artists strike so many people as so very different that they […]
Pulling off a musical biography well is not easy. Trust me; I’m spending much of my own time these days working on one, (on roots music A&R and publishing pioneer Ralph Peer). From short profile articles to full-length books, there are questions for the writer—focus, depth, audience, and how to go about it. I have […]
Country fans have long since noticed (and sometimes complained) that the ACM and CMA awards shows feature pretty much the same star acts and hits of the year. That was hardly the case back in the mid-1960s, as pointed out in the Country Hall of Fame and Museum’s major new exhibition, The Bakersfield Sound: Buck Owens, […]
Keeping up with the sheer volume of new releases that might be of interest to people reading this column is always a challenge, practically impossible, and while I don’t plan to do it often, I figure that one way to play some catch-up here is just to line up some brief comments on recent releases […]
Owen and Harold Bradley’s Quonset Hut, the first Music Row studio, was a place where, circa 1966, Tammy Wynette could be recording her breakthrough “Apartment #9” in one room, and Bob Dylan recording cuts from Blonde on Blonde in another, while an unknown named Kristofferson emptied the ashtrays for both. But then, people tend to forget that […]
If you’re fundamentally or primarily a fan of country music, or Americana, or bluegrass, as many reading these words will be, you might well not be familiar with the name “Janiva Magness.” (For one thing, her first name’s pronounced JAN-i-vah, more like “Canada” than “Geneva.”) This, separate genre worlds being what they are, despite the […]
Pssst. I have some shocking news to reveal: For some time, apparently, there have been some points along the roots music spectrum where the talent to amuse is commonly relegated to secondary status as less significant, less special, and even less demanding of technical proficiency than bringing audiences to tears, working them into a lather, […]
It’s beyond me when a new “musical year” begins these days, but happy New Year. The start of a new calendar year here in Nashville does have a certain distinctive local flavor to it; performers who’ve been out on the road, suddenly back home for a Christmastime break, show up at events and get-togethers around […]
Working as I do in both journalism and music history, from time to time I’ve had the opportunity (and also the working need, truthfully) to interview the immediate families of some of country and roots music’s most celebrated figures, sometimes getting to know them outside of that defined situation. It occurs to me again and […]
2011 has not been a huge year for new music by many women on the country music charts, a situation that’s been much noted, often with understandable dismay. The most-heard hits by female vocalists have tended either to have come from the mixed male/female group arena or to be yet another single pulled from older […]
- Ken Morton, Jr.: The inferiority complex of the CMA never ceases to amaze me.
- Barry Mazor: Thanks for explaining that to me, Luckyol.
- luckyoldsun: Barry, I think you're taking it a bit too seriously. CMT has to keep coming up with new lists to make. …
- Barry Mazor: Thi is a world in which the "top 40 most influential country artists of all time" do not include, for …
- luckyoldsun: I just noticed that Garth and King George are still to come. So unless I'm missing something else, the remaining seven …
- Leeann Ward: I hate it when people pronounce the days of the week with a "dy" ending instead of "day." It's like …
- luckyoldsun: Looking at that bizarre CMT Artists' list with Johnny Cash coming in at #8, it raises the question--Who are the …
- Leeann Ward: I'd have to agree with LOS here. The song was fair game to be released. It's no surprised that it …
- luckyoldsun: "'Brotherly Love,' IS a Keith Whitley song. Trying to take advantage of the impact sales, and the tragedy of Keith’s …
- Leeann Ward: Yes, we know that it's technically a Keith Whitley song, as Juli noted above.