Country fans have long since noticed (and sometimes complained) that the ACM and CMA awards shows feature pretty much the same star acts and hits of the year. That was hardly the case back in the mid-1960s, as pointed out in the Country Hall of Fame and Museum’s major new exhibition, The Bakersfield Sound: Buck Owens, […]
Keeping up with the sheer volume of new releases that might be of interest to people reading this column is always a challenge, practically impossible, and while I don’t plan to do it often, I figure that one way to play some catch-up here is just to line up some brief comments on recent releases […]
Owen and Harold Bradley’s Quonset Hut, the first Music Row studio, was a place where, circa 1966, Tammy Wynette could be recording her breakthrough “Apartment #9” in one room, and Bob Dylan recording cuts from Blonde on Blonde in another, while an unknown named Kristofferson emptied the ashtrays for both. But then, people tend to forget that […]
If you’re fundamentally or primarily a fan of country music, or Americana, or bluegrass, as many reading these words will be, you might well not be familiar with the name “Janiva Magness.” (For one thing, her first name’s pronounced JAN-i-vah, more like “Canada” than “Geneva.”) This, separate genre worlds being what they are, despite the […]
Pssst. I have some shocking news to reveal: For some time, apparently, there have been some points along the roots music spectrum where the talent to amuse is commonly relegated to secondary status as less significant, less special, and even less demanding of technical proficiency than bringing audiences to tears, working them into a lather, […]
It’s beyond me when a new “musical year” begins these days, but happy New Year. The start of a new calendar year here in Nashville does have a certain distinctive local flavor to it; performers who’ve been out on the road, suddenly back home for a Christmastime break, show up at events and get-togethers around […]
Working as I do in both journalism and music history, from time to time I’ve had the opportunity (and also the working need, truthfully) to interview the immediate families of some of country and roots music’s most celebrated figures, sometimes getting to know them outside of that defined situation. It occurs to me again and […]
2011 has not been a huge year for new music by many women on the country music charts, a situation that’s been much noted, often with understandable dismay. The most-heard hits by female vocalists have tended either to have come from the mixed male/female group arena or to be yet another single pulled from older […]
Lately I’ve been thinking about repetition, repeatedly. See, I’ve never been one of those who can be counted on to rail against the latest alleged oncoming modern pop corruption of whatever country music has been sounding like for a while. In country, complaints about sonic invaders have always been there. But in addition, history leaves […]
At this year’s Americana Music Association’s Fest and Conference, staged mid-month here in Nashville, there were plenty of convincing signs that the Americana field and format has finally come of age, and in a healthy and forward-looking way—sixteen years since it was first identified and promoted to radio, twelve since the AMA was founded, and […]
- bob: Thanks Barry. Just reserved the Adam Gussow book. Sounds interesting.
- Barry Mazor: It may be over-stated, in arriving at practically a single explanation of everything, but Adam Gussow's book on lynching and …
- Leeann: Wow! Heavy topic and horrifying indeed! "Beer for My Horses" was all fun and games until that reference, I'll have …
- Barry Mazor: Everything else aside, the way that reporter fills us in, with must-have, pointless generational snark included, about who this "Little …
- luckyoldsun: "The Night The Lights Went Out in Georgia" seems to be about a lynching--even if there's something about a judge …
- Arlene: Sorry. I meant to give the link for "Supper Time." http://www.youtube.com/watch?v=sZ58Kfe41kI
- Arlene: Another song sung by Ethel Waters: Irving Berlin's "Supper Time"
- bob: Powerful songs. I read the book "A Lynching in the Heartland" by James H. Madison about a dozen years ago. …
- Ron: Sky Above, Mud Below by Tom Russell is another.
- Jack Williams: Another Othis Taylor song from White African is "My Soul's in Louisiana."