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Roots Watch: That Folk Roots/Country Connection—Family Style
Ever since commercial country music started up in the 1920s, folks and other people have been arguing about the degree and nature of its regularly alleged and often simply assumed ties to older down home music—the music made by Americans, particularly Southern Americans, on their own porches, in their local saloons, churches, and dances. This issue comes up whenever historians weigh how [...]
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Roots Watch: Being Really, Really Real Country (Etc.)
There was some discussion here on Engine 145 last week, sparked by Sam Gazdziak’s comments on the Justin Moore “Bait a Hook” single, and its “dumped and venting guy” lyric that raises—no, presses— the musical question “Is anyone in any way unlike what we three songwriters imagine you wish me, the country singer, to appear [...]
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Tom Russell on Country Music
Tom Russell has led a fascinating life. He’s been a cabdriver, a teacher in Nigeria, and, oh yeah, a singer-songwriter whose work has been recorded by Johnny Cash, Nanci Griffith, and many more. His upcoming album, Mesabi (here’s a free download of one of the tracks, called “A Hard Rain’s A-Gonna Fall”), is filled with [...]
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Roots Watch: Guitar Legends Who Changed More Than Picking
For a city that’s been referred to as “Guitartown,” even by people who aren’t Steve Earle, Nashville rarely goes out of its way to spotlight music-altering git-pickers. This summer is different. The Country Music Hall of Fame has a new exhibit opening next Friday, August 12th that will run all the way through CMA Music [...]
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Roots Watch: Roots, Moves, and Scenes That Sustain
It’s a pleasure and, I’m sure, it will be a challenge in the best possible way, to bring this expanded version of whatever perspective my “Scanning the Countryside” column managed to bring to The9513.com here to Engine 145. The expansion will be twofold: “Roots Watch” will show up twice a month, not just once, allowing [...]
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Celluloid Country: Great Balls of Fire Less Than Killer
Today we’ll be looking at the Jerry Lee Lewis biopic Great Balls of Fire, which my handy Comcast guide describes as a look into the Killer’s “unconventional personal relationships.” Well, I guess that’s a nice way of putting it when a fella is a bigamist by age 17 and marries his teenage cousin just a [...]
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Celluloid Country: Payday is a Satisfying, Violent Tale of a Country Outlaw
Payday is probably the best Celluloid Country film to date. Unlike the other CC films, which are generally only nominated for Razzies, Payday was actually up for a Writers Guild of America award for Best Drama. Furthermore, Payday doesn’t feature am actual country musician in the lead role. Coincidence? Probably not. There isn’t actually a [...]
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Doing Time for Patsy Cline is a Wacky Take on Aussie Country
When it comes down to it, America and Australia have quite a bit in common. Okay, one country was founded by Puritans, the other by criminals…but we have similarities in our rugged terrain, hearty pioneer spirit, and the large indigenous populations we’ve spent centuries oppressing. Hooray, former colonies of Britain! If, as music scholar Bill [...]
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Celluloid Country: Sweet Dreams, Starring Jessica Lange (The Patsy Cline Biopic)
Patsy Cline has always been a larger than life figure in country music. Bold, brassy, and occasionally raunchy, Patsy (or “The Cline,” as she called herself), fit right into country’s rowdy, male-dominated world, even as Owen Bradley transformed the honky tonk angel into a sultry torch singer. Her rise to stardom and her tragic end [...]
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Celluloid Country: Rhinestone, Starring Dolly Parton and Sylvester Stallone
I love Dolly Parton with a love that borders on idolatry. But Rhinestone (1984) is just plain bad. It’s certainly not 9 to 5, a film I consider to be Parton’s Citizen Kane. It’s not even cheesy fun like Straight Talk, a film which sees Parton—again in the role of hillbilly sage who delivers bits [...]
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Current Discussion
- Joan Harrison: Hi, My husband and I really enjoy watching your show each week. You had a recipe on for pork ...
- Jon: "@Both Kinds Of Music – Your point is?" It is a little opaque, isn't it?
- BRUCE: @Both Kinds Of Music - Your point is? BTW, I love Rucker's "Wagon Wheel" version. Gotta love Strait. I wished Swift would ...
- Luckyoldsun: Jonny Boy, Are you really as angry about this as you come off?--This has to be an act. I have no problem ...
- Barry Mazor: I'm not personally offended in the least, luckyducky, I also find discussing things with you an utter waste of time ...
- Jon: "Any reasonably educated or sophisticated adult knows" that a televised awards show (or most any other televised music variety show) ...
- Jon: "I think that a lot of the people who do watch award shows, though, watch them because they can’t (for ...
- Luckyoldsun: Rick If Taylor Swift is scoring her 60th No. 1 record at age 61 or whatever, I'll... (Oh, I forgot--I'll be ...
- Rick: Opry Alert! Tonight's Opry features Easton Corbin, Lee Greenwood, Craig Morgan, Mandy Barnett, Diamond Rio (who needs pitch correction these ...
- Both Kinds of Music: "I think we wrote close to 60 or 70 songs" and then put Wagon Wheel on there just to show ...







