When the venerable Vercher boys let me know recently that things were drawing to a hard stop for this site, I can’t say that I was entirely shocked, because a) they’d made it clear, even publicly, that tending to this work was beginning to demand drastic amounts of time they’d not quite expected, a real […]
By now, there’s not a recording artist, country or otherwise, who hasn’t heard that we’re in a new era — fundamentally, a singles era. They’ve all heard how CD album chart leaders are topping those charts with lower sales figures than anyone can remember. And they’ve all heard horror stories (as have followers of The […]
If you want to start a heated discussion among a bunch of devoted country music fans or music makers, no matter what stripe, style, or era of country music they call their own, bring up the question of today’s mainstream country radio. You’re certain to hear some railing from somebody about a longstanding set of […]
There have always been some who see country music and jazz as opposite ends of the American music spectrum—one down home, emotionally straightforward and inclined towards the well-understood and safe; the other urban, sophisticated, even intellectual, and born to go off on unfettered, exploratory tangents. You could, of course, hear that opposition expressed by fans […]
Some of country’s less-heralded, less-promoted releases of the past year are not only very well worth hearing, they also introduced or re-introduced ideas which this writer, for whatever it’s worth, would like to see more artists and producers take up. Among the strongest 2010 releases was the only marginally noted Amber Digby & Justin Trevino […]
As Chris Neal pointed out in his thoughtful “C Word” post on this site earlier this month, arguments over what’s country and what isn’t, how modern and pop or traditional-sounding the music ought to be, how ass-kicking or dignified, are all never-ending. Anybody who’s been following some of the recent spirited discussions (and occasional over-the-top […]
Caring about country music enough to devote years of attention to the questions its continuing, always-evolving existence raises—what it is, where it’s come from, where it gets on and off, how it speaks to those it speaks to, how all of that (or any of that) matters—that sort of serious devotion, the sort where you […]
You’ve probably noticed the tremendous amount of energy and verbiage being expended online these days, in all sorts of places, by people who feel attached to some ongoing or even, often, some abandoned recording format. The conventionally-sized CD album, regularly derided for years—not less in country than in other musical genres— as often an over-priced […]
Photo courtesy of the Country Music Hall of Fame and Museum I was privileged to be on hand in August for all three of Buddy Miller’s Artist-in-Residence shows at the Country Music Hall of Fame’s Ford Theater, the first of which marked the theater’s reopening after its repair from damage in May’s Nashville flooding. These […]
I’ve been listening to country music–not just hearing it in the background, but, as well as I know how, listening to it–for close to 45 years, and writing about it in various public places, off and on, for about 35. The publications and online outlets that have chosen to publish what I’ve reported and observed […]
- Ken Morton, Jr.: The inferiority complex of the CMA never ceases to amaze me.
- Barry Mazor: Thanks for explaining that to me, Luckyol.
- luckyoldsun: Barry, I think you're taking it a bit too seriously. CMT has to keep coming up with new lists to make. …
- Barry Mazor: Thi is a world in which the "top 40 most influential country artists of all time" do not include, for …
- luckyoldsun: I just noticed that Garth and King George are still to come. So unless I'm missing something else, the remaining seven …
- Leeann Ward: I hate it when people pronounce the days of the week with a "dy" ending instead of "day." It's like …
- luckyoldsun: Looking at that bizarre CMT Artists' list with Johnny Cash coming in at #8, it raises the question--Who are the …
- Leeann Ward: I'd have to agree with LOS here. The song was fair game to be released. It's no surprised that it …
- luckyoldsun: "'Brotherly Love,' IS a Keith Whitley song. Trying to take advantage of the impact sales, and the tragedy of Keith’s …
- Leeann Ward: Yes, we know that it's technically a Keith Whitley song, as Juli noted above.