Carolina Chocolate Drops Bring Raucous Fiddle Tunes to the Birchmere

Juli Thanki | January 19th, 2010


Patrick Huber’s Linthead Stomp: The Creation of Country Music in the Piedmont South states that many fans and even some historians tend to view country music as the product of the rural South, ignoring the influence of the industrial Piedmont region, which was the textile capital of the world pre-WWII. The Carolina Chocolate Drops have spent the last five years touring extensively, drawing attention to both the music of the Piedmont and the often neglected history of African Americans in stringband music.

Dom Flemons, Rhiannon Giddens, and Justin Robinson formed the Chocolate Drops after meeting at the Black Banjo Gathering in 2005. North Carolinian fiddler Joe Thompson, currently 91-years old and thought to be one of the last living African American stringband musicians, served as their mentor as the trio began forming their own sound. They’ve spent the past four years touring extensively and amassing a fanbase that includes folks like Taj Mahal and the late Mike Seeger.

On Martin Luther King, Jr. Day, the Chocolate Drops, joined by opener Red Molly (think The Be Good Tanyas mixed with a dash of Uncle Earl), delighted the crowd at Alexandria’s Birchmere Theatre with 90 minutes of raucous fiddle tunes, bad-ass bones playing, and the occasional history lesson. One of the evening’s highlights was when the Chocolate Drops performed the title track from their upcoming album Genuine Negro Jig. According to Giddens, this instrumental has ties to the Snowdens, a black family of musicians out of Ohio that may have taught “Dixie” to Dan Emmett, the man who’s most often credited with composing the song.

The Carolina Chocolate Drops are serious students of music. Nearly every song was introduced with an anecdote about where and when the band first encountered said song. These anecdotes ranged from the fairly commonplace (learned from Thompson or picked up at a music festival) to the more obscure (found at the Library of Congress, or passed along by a banjo scholar) to the unexpected (heard on the soundtrack to Who Framed Roger Rabbit). It’s not just stringband music that they’re passionate about, either: Rhiannon Giddens is a classically trained opera singer, and Robinson has a background in violin. They all sing and they all play; banjo, fiddle, jug, bones, autoharp, kazoo; if it makes noise, chances are it’ll be used during a CCD performance.

Though the Chocolate Drops are well-versed in the history of stringband music, they don’t put it on a pedestal: prominently featured on their website is a quote from Justin Robinson which states “tradition is a guide, not a jailer. We play in an older tradition, but we are modern musicians.” No song in the CCD repertoire exemplifies this more than their fiddle-and-beatbox version of Blu Cantrell’s “Hit ‘Em Up Style,” a song Giddens wryly introduced as “one [she] heard on the radio almost 10 years ago. In pop music, that’s like 100 years.” Also essential to the Chocolate Drops’ sound is their sense of community, whether it’s learning at the feet of Joe Thompson and Mike Seeger, calling fellow African American bones player Rowan Corbett onstage for what they called a “double bones extravaganza,” or leading the crowd in a rowdy rendition of “Sourwood Mountain.” If it weren’t for the $7 beer, Monday’s Birchmere show could have been on somebody’s porch.

Encoring with gospel tune “Travelin’ Shoes” and a jaunty fiddle tune that had Flemons, Giddens, and a few gray-haired audience members kicking up their heels, it’s easy to see why the Carolina Chocolate Drops have a devoted—and rapidly growing—following: they’re a reminder of how fun music can be.

  1. Rick
    January 19, 2010 at 4:26 pm

    Having seen the CCD perform live back in October 2007 at the Joshua Tree Music Festival I can attest to how entertaining their live shows can be. Most of the standing audience members (white hipster/groovers in their 20’s) at that show were dancing throughout their set, more so than any other band I saw perform that day, and the Blu Cantrell song brought a tremendous response.

    I can’t see big fans of Top 40 AirHead Country getting into this sort of music but those Americana and bluegrass fans that like old timey and off the wall music should respond. I wonder if Old Crow Medicine Show fans would like the CCD’s? Hmm…

  2. Kelly
    January 19, 2010 at 4:31 pm

    Wow, I am jealous of Rick for once. I would love to catch a CCD show in such a setting. As a big OCMS fan, I am rather certain that most OCMS fans are already keenly aware of CCD and enjoy them quite a bit.

  3. Vicki
    January 19, 2010 at 4:35 pm

    I saw them on the Opry and in rerun of the Opry when it was shown on GAC (Darn I wish it was many are missing it there!) and they were great! Got the crowd in it for sure!

  4. Rick
    January 19, 2010 at 4:57 pm

    Kelly, I had gone to that festival to see Uncle Earl and The Greencards and had never heard of the CCD’s prior to that, but they were the best act I saw that day from a pure entertainment viewpoint. That had invited a black “slap dancing expert” friend up from San Diego who also played a mean mouth harp. Between their music and the slap dancer’s movements and hand generated percussion it was a bit mesmerizing at times. Talk about a truly unique live musical experience! Sheesh!

    Rhiannon joined Uncle Earl for the G’earl’s set and was doing some clog style dancing on top of a big crate when the dust storm hit that pelted them all with dirt, sand, and gravel! That brought a quick end to that set. That’s one festival they are not likely to forget…(lol)

  5. Steve M.
    January 19, 2010 at 5:18 pm

    They sound awesome to catch in concert, but I was a bit outraged to discover that venue was charging $7 a beer. That is almost ballpark prices.

  6. Leeann Ward
    January 19, 2010 at 6:21 pm

    I think we’ll make the three hour treck to Nowhere, Maine to see them in March. Seems like it’ll be well worth it.

  7. merlefan49
    January 19, 2010 at 8:43 pm

    Glad to see the drops are getting some press!

Tagged In This Article

Current Discussion

  • Paige: Oh damn. :( I never commented here and I haven't been listening to any music at all since Thanksgiving (it …
  • Dave W.: Just read the news here. Will miss E145 very much - love this site. All the best to you Juli …
  • Leeann Ward: Oh, dang! This is real. Farewell to the most generous, informative, quality, intelligent, consistent, ethical country music blog! You …
  • bll: Thanks Juli for all the great articles and information; you'll be missed by me and I suss several others. Best …
  • Both Kinds of Music: I hope people appreciate the irony that one of the best "Americana" albums is titled Metamodern Sounds in COUNTRY Music.
  • Barry Mazor: I would not rule out that possibility..There's a different set of voters involved..
  • Dana M: Does anyone else think that Brandy Clark actually has a good chance of winning since this isn't a country awards …
  • Juli Thanki: UPDATE: Brandy Clark got a Best New Artist nom. BEST AMERICANA ALBUM: Rosanne Cash -- The River & The Thread John Hiatt -- Terms …
  • luckyoldsun: Glenn Campbell is great and I'd love to see him get an award, but the words of that song may …
  • Casey Penn: Juli, it was an honor to write for you here on You're good at what you do, and The …

Recently Reviewed Albums

  • walkerandthetexasdangers3
  • deadmanstown
  • tom t hall storytellers
  • paulthorntooblessed
  • duhksbeyondtheblue
  • kelleymickwee
  • sandrarhodes
  • candi staton