Album Review: Audie Blaylock & Redline – Audie Blacklock & Redline

Juli Thanki | February 4th, 2009

Audie Blaylock & RedlineIf a bluegrass band could be engineered in a Kentucky lab, the end result would probably sound a lot like Audie Blaylock and Redline. Blaylock honed his skills as a member of Jimmy Martin’s Sunny Mountain Boys when he was just nineteen years old. Nearly thirty years and a handful of IBMA awards later (including one for Entertainer of the Year while with Rhonda Vincent and The Rage), Blaylock is heading up his own band and releasing his second full length album.

Blaylock can hardly be described as an experimental musician, and you definitely can’t call him the dirtiest insult known to purists: Newgrass. He has both feet firmly planted within the traditional bluegrass sound, with little deviation from the sound created by Bill Monroe and Earl Scruggs some sixty years ago. The result is a bit generic—there’s not much distinguishing this band from the umpteen other bluegrass groups making the rounds—but it’s certainly not bad.

Audie Blaylock & Redline opens with “Whispering Waters,” a stunning song about a man driven to suicide by–what else–a false-hearted lover. The peppy arrangement belies the song’s somber narrative, but when Blaylock sings “Once your arms held me, they held me so tight/But the whispering waters will hold me tonight” it’s possible to feel shivers even as you can’t help but tap your foot to the beat.

The record continues in this general vein as Blaylock and Redline progress through the list of bluegrass music’s approved subject matter: blue-eyed darlings, lonesome hearts, heaven’s bright shores, and no-account women. The only song missing is a murder ballad.

The entire album leans heavy on bluegrass’ gospel tradition, with a third of the album’s twelve tracks being gospel songs. There’s not a bad one in the bunch, and although “Send Me Your Address from Heaven,” (originally written by classic brother harmony duo John and Walter Bailes), is exactly as mawkish as the title makes it seem, Blaylock’s country-boy earnestness might just be enough to melt the icy facade of even the most cold-hearted listener.

As frontman, Blaylock takes the lead on most of the songs (though on most choruses, as well as “Mountain Laurel in Bloom,” he hands lead vocals over to mandolin player Jason Johnson), but the talent of his backing band is nothing to overlook. Following in their boss’ footsteps, the quartet is heavy on the tradition and light on the years. Most notable are fiddler Patrick McAvinue and banjo player Evan Ward; the two men are just barely able to enjoy a post-performance beer, but their hard-driving music is already reminiscent of bluegrass’ best.

You heard it here first: in thirty years, the musicians of Redline will be household names among bluegrass fanatics.

It seems as though Blaylock has found himself in good company with his new label, Rural Rhythm Records. Also home to John McEuen, Randy Kohrs and Melanie Cannon, Rural Rhythm is known for its dedication to preservation of traditional and roots music both old and new, and while Audie Blaylock and Redline may not break any new musical ground, when it comes to creating solid, straight-up bluegrass, they’ve got it covered.

3 Stars

  1. Brady Vercher
    February 4, 2009 at 4:49 pm

    I can understand the criticism that there isn’t anything groundbreaking, but I loved some of the cuts on this album. Nevertheless, nice review, Juli.

  2. Rick
    February 4, 2009 at 5:11 pm

    “Whispering Waters” sounds like a modern descendant of the Carter Family’s “I Will Never Marry” as far as suicide by drowning is concerned. Its an interesting way to pack an emotional wallop.

    I’m always amused by the traditional bluegrass purists vs. the newgrass whippersnappers feud. Talk about making a valley out of a holler. I’ve been around some die hard purists at Cherryholmes’ concerts and they kind of freak me out as they seem to display a cult mentality. I guess that makes me more of a newgrass loving whippersnapper…

  3. Katy
    February 6, 2009 at 10:39 am

    Really nice review, Juli, thanks for sharing. I really loved some of the cuts on this album.

  4. billy hake
    April 29, 2009 at 10:11 pm

    hi, audie blaylock, my name is billy hake. i think you all have a great bluegrass band. i play music myself, an know how to apreasieate, good music. i live in spry, pa. keep jimmy martin music, alive well, catch me later afa, billy hake.

Tagged In This Article


Current Discussion

  • Paige: Oh damn. :( I never commented here and I haven't been listening to any music at all since Thanksgiving (it …
  • Dave W.: Just read the news here. Will miss E145 very much - love this site. All the best to you Juli …
  • Leeann Ward: Oh, dang! This is real. Farewell to the most generous, informative, quality, intelligent, consistent, ethical country music blog! You …
  • bll: Thanks Juli for all the great articles and information; you'll be missed by me and I suss several others. Best …
  • Both Kinds of Music: I hope people appreciate the irony that one of the best "Americana" albums is titled Metamodern Sounds in COUNTRY Music.
  • Barry Mazor: I would not rule out that possibility..There's a different set of voters involved..
  • Dana M: Does anyone else think that Brandy Clark actually has a good chance of winning since this isn't a country awards …
  • Juli Thanki: UPDATE: Brandy Clark got a Best New Artist nom. BEST AMERICANA ALBUM: Rosanne Cash -- The River & The Thread John Hiatt -- Terms …
  • luckyoldsun: Glenn Campbell is great and I'd love to see him get an award, but the words of that song may …
  • Casey Penn: Juli, it was an honor to write for you here on You're good at what you do, and The …

Recently Reviewed Albums

  • walkerandthetexasdangers3
  • deadmanstown
  • tom t hall storytellers
  • paulthorntooblessed
  • duhksbeyondtheblue
  • kelleymickwee
  • sandrarhodes
  • candi staton